![]() ![]() Ribeiro provides a more complete sense of the extent to which Literary material of the period, imaginative and nonfiction texts alike, Textual representations seriously as sources for understanding a Theįorm of her book, however, belies what makes it a fresh and importantĬontribution to early modern studies at large: Ribeiro also takes Of sumptuous color reproductions in a gorgeous, oversize format. ![]() Ribeiro isĪ renowned art historian at the Courtland Institute of Art and sheĬarefully analyzes seventeenth century imagery. Portraiture of royalty and aristocrats, to give a sense of how fashionsĮmerge, develop, and shift throughout this tumultuous period. Would look to the wealth of visual depictions of dress, mostly Of the clothing of the period is a necessary one and it is clear why she Ribeiro's turn, then, to visual representations This list is so brief indicates the challenges faced by the early modernįashion historian. The author describes several surviving garments from the period. Review by ROZE HENTSCHELL,Įarly in the introductory chapter to Aileen Ribeiro's FashionĪnd Fiction, an ambitious survey of seventeenth century English dress, New Haven and London: Yale University Press, 2005. ![]() Fashion and Fiction: Dress in Art and Literature in Fashion and Fiction: Dress in Art and Literature in Stuart England. ![]() Fashion and Fiction: Dress in Art and Literature in Stuart England." Retrieved from 2007 Texas A&M University, Department of English 12 May. Fashion and Fiction: Dress in Art and Literature in Stuart England." The Free Library. ![]()
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